A wooden vase can bring warmth and a strong outline to a shelf or table. Unlike an open bowl, it invites the eye to follow the outer wall towards a relatively small opening. That relationship makes the neck and shoulder especially important parts of its character.
When studying a vase, look at the point where the body begins to narrow. A gradual transition can create a flowing profile, while a distinct shoulder gives the upper section a clearer identity. Neither approach needs elaborate decoration to be visually interesting.
The name of a form does not establish how it can be used. An archive photograph alone cannot tell us whether a wooden vase has a liner or is intended to hold water. For design discussion, treat the pictured piece as a decorative object unless its construction and intended use are known.
Try drawing the same lower body with three different necks. Then compare the result with the archive illustration. This focuses attention on proportion and avoids copying surface detail without understanding the form. The exercise can also help explain why a modest change near the opening has a large effect on the complete silhouette.